Fishing Term (August 2025)
Introduction to College (Yeidikookʼáa Dionne Brady-Howard and Matthew Spellberg)
Students will learn and apply practical strategies for success in college while engaging with theories and histories of holistic education. Overarching topics will include the core intellectual, pedagogical, and spiritual values of Alaska Native cultures; histories and theories of education; and case-studies of holistic schools and educational programs. Each class will also focus on a different everyday academic and life-oriented skill: studying and note-taking; test-taking strategies; finding and using university resources; goal-setting and personal responsibility; interaction in the college environment; time-management and goal-setting; self-expectations and self-care; writing and public speaking. Students will reflect on their own metacognitive processes and engage essential research on learning from a diverse range of contexts and communities.
Food Sovereignty and the Science of Subsistence (Maggie Spivey-Faulkner, Garrett Faulkner, and Reyn Hutten)
Students will engage with the foundational questions of how we nourish ourselves, and why we go about it in the ways we do. This course will feature lecture and in-class discussion on food networks, food production paradigms (subsistence hunting and gathering, agriculture, trade and barter, etc.), and the history of the present global food system, as well as alternative experiments. It will most centrally feature direct food gathering work on the land, as students explore the bounty of Baranof Island and learn how to respectfully and sustainably harvest and preserve such resources as berries, salmon, medicinal plants, and shellfish.
Fall 2025
Indigenous Studies I: Tlingit Language and Culture (Yeidikookʼáa Dionne Brady-Howard and Matthew Spellberg)
This course will provide an introduction to the study of the Tlingit language (Lingít yoo x̱ʼatángi) and Tlingit culture and history (Lingít ḵusteeyí). It will straddle the formal study of language along with literary and philosophical investigation of the lifeworld on Lingít Aaní. Meeting four days per week, the course will include two sessions of intensive language instruction per week (vocabulary, phrases, basic grammar) and two sessions of cultural and literary study, in which students will study the history of Southeast Alaska, Tlingit social structure, cosmology, oratory, history and oral literature. Language learning will be gradually woven into cultural learning: vocabulary learned in class will pair with stories, etc. to build a holistic picture of Tlingit thought and its special relationship to the land around us. Special emphasis will be placed on the stories and traditions of Sheetʼká. Evaluation will include language exams, storytelling performances, papers, and creative projects.
Introduction to Mycology (Caroline Daws)
In the temperate rainforests of Southeast Alaska, spruce and hemlock tower over a rich understory of devilʼs club and berry bushes. Beneath the surface lies just as much, or even more, life—much of it belonging to the kingdom Fungi. Though most often spotted as mushrooms dotting the forest floor, fungi are active year-round as dense mats of mycelia—many miles of threads in a single handful of soil. These fine networks are the machinery of renewal in the forest, building connections of energy, nutrients, and organisms across trophic levels. The relationships between fungi and plants (as well as with humans and other creatures) are as old as time, and in this course we will follow their mycelial threads through the forest and into the past and future to understand how they tie ecosystems together.
This field course offers an immersive introduction to the fascinating world of mycology, exploring the diverse roles that fungi play in natural ecosystems. Students will study the identification, ecology, and evolutionary biology of fungi in their natural habitats, with a focus on field-based observations and hands-on experience. Throughout the course, we will investigate fungal diversity, symbiotic relationships, and the critical ecological functions fungi perform, from decomposition to mutualism with plants and animals. Special attention will be given to the importance of fungi in forest ecosystems, their uses in human culture, and their potential applications in areas such as medicine, agriculture, and environmental sustainability. By the end of this course, students will have developed the skills needed to identify common fungi in the field, understand their ecological and evolutionary significance, and communicate their findings through scientific writing and presentations.
In Fall 2025, this course will also contribute data to my research project investigating how fungi are involved in the transformation of marine derived nutrients like nitrogen from salmon carcasses following their spawning migration upstream into the forest. Students will help to assess the colonization of Sitka Spruce roots by beneficial mycorrhizal fungi using microscopes. As part of this course, students can expect to be out in the forest collecting specimens or at the Sitka Sound Science Center teaching lab for class one day per week. This course will be helpful for students interested in research internships on this project in summer 2026.
Art Lab I+II (Yeidikookʼáa Dionne Brady-Howard)
Art Lab consists of a two-semester course sequence across the academic year (2 credits per semester). It responds to the themes of the other courses Outer Coast students are concurrently taking, and bridges them with the study of making in both the “Western” studio sense and the Indigenous and folk practices of our community. Students will be exposed to a series of artistic styles (photography, collage, carving, beading, painting, formline design, sculpture) through guest artists, and will be asked to draw on the materials they are studying in their other first year courses (Indigenous Studies, writing seminars, Tlingit Language and Culture, Ecological Communities of Sitka) as subject matter and as sources of style and approach. The goal is to build a fusion between the place-based Outer Coast curriculum, each studentʼs personal expression and background, and the various disciplines and methods of artistic creation.
Art Lab III (Yeidikookʼáa Dionne Brady-Howard)
This is the third course in the Outer Coast art lab sequence. While the first two are required, this is an optional upper-level continuation. It allows students to deepen their experience of given artistic traditions based on the interests of both the class and the instructor. Each semester that it is offered the course will have a particular focus that reflects some of the emphasis of Outer Coast: for instance, Indigenous Northwest Coast arts; photojournalism and collage; contemporary art and its relationship to the sciences.
Advanced Lingít (Matthew Spellberg)
A course intended to allow Outer Coast students to continue their intertwined study of Lingít yoo x̱ʼatángi (Tlingit language) and Lingít Ḵusteeyí (Tlingit Culture) while living on Lingít Aaní (Tlingit Land) in the second year of the OC undergraduate program. Topics will build on the course material introduced in the year-long first-year Indigenous Studies curriculum. The course will introduce new grammatical concepts and language vocabulary; in addition, the class will offer deeper engagement with select cultural topics, including (but not limited to) oral tradition, oratory, ceremony, history, visual art, or song and dance. This course can be repeated for credit.
Journalism (Garrett Faulkner)
This course examines the history and practice of periodical print journalism in the American paradigm. Using a variety of contemporary and historical critical lenses, we will study how “the news,” as we understand it, came to take shape and how it was institutionalized. Additionally, we will investigate the ways the apparatus of journalism has adapted to new technology – radio, television, the Internet – and has shaped American political life and discourse over the years. We will also look at the advent of “New Journalism,” its literary conceits and aspirations, and its preparation of consumers for the digital and social media age. Students will collaborate closely with the editorial staff of the Daily Sitka Sentinel to practice their hand at several common journalistic forms, learn effective and ethical reporting, and better understand how we might exist as members of the Sitka community.
Fiction Writing Workshop: Stories and How We Tell Them (Garrett Faulkner)
This studio workshop course places students in a close-knit seminar setting, exploring how short-form creative works often have an unexpectedly outsized impact on readers. In addition to familiarizing students with the mechanics of narrative, we will also examine how stories may be imbued with a sense of place, history, and culture, and the potential challenges this presents for both authors and audiences. As we proceed through the term, students will also be tasked to practice their hand at producing formal narrative work of their own, culminating in a “micro-novel” – or equivalent form – which they will submit as a final project. Also offered in Spring 2026.
Service Internship I+II (Lucas Opgenorth)
Integral to the Outer Coast curriculum is an ethos of service that calls us to work with the many communities around us. In this two-semester, three-credit-per semester internship course, students will undertake intensive work with several organizations in Sitka, including the Alaska Native Brotherhood and Sisterhood, Sitka Homeless Coalition, and the Sitka Sound Science Center, among others. Work will involve a rotation of placements with these organizations, so that students will gain exposure and build skills relevant to each organization’s field and mission, and the opportunity to reflect on these experiences with peers and supervising faculty. To punctuate each semester the entire cohort will serve as the principal volunteers for a number of collective projects, including 2024 Sharing Our Knowledge Conference and 2025 Learners Teaching Learners Tlingit Language Conference at Outer Coast College, and regular maintenance of the Outer Coast Food Sovereignty program (gardening, food gathering, food preservation). Over the course of each semester, students will complete at least 150 hours of service work, as well as have regular meetings with faculty advisors and service mentors.
Spring 2026
Indigenous Studies II: Ideas, Frameworks, Bridges Between Cultures (Maggie Spivey-Faulkner and Matthew Spellberg)
This course will engage the relationships between cultures, and between ideas of culture and ideas of nature. How do humans navigate the interaction between society and physical environment? How does a society arise in a given environment and respond to the challenges it presents? How do differing ideas about nature, culture, community, and society shape our conceptions of indigeneity and colonialism? We will examine radically different answers to such questions from cultures and traditions around the world, and test them in relation to the deep intertwining of Tlingit culture and the landscape of Southeast Alaska. Readings will include: oral tradition from across North America; anthropology; political philosophy during and after European colonial expansion; contemporary Indigenous theory and speculative fiction. In addition, as this course emphasizes the importance of the local and of language, students will continue their study of the Tlingit language begun in the previous semester. Concepts in language study will be paired with theoretical topics (i.e. the Tlingit vocabulary around animism and breath, movement and the land, space and time, past and future, etc.).
Tribal Governments in Alaska (Yeidikookʼáa Dionne Brady-Howard)
In this course, students will explore the fundamental history of Federal Indian Law as it relates to Alaska Native tribes. They will learn about competing Native entities in the state, and the sometimes difficult relationship between Alaska Native tribal governments and the State of Alaska, as well as the current issues surrounding these troubles.
Indigenous Technology & Indigenous Futurism (Jordan Kennedy and Maggie Spivey-Faulkner)
Leverages Indigenous technologies to teach Western engineering concepts, bridging cultural and educational divides. Students will explore Indigenous practices including, but not limited to, agriculture, animal husbandry, and warfare to understand key Western engineering and scientific principles. Although the subject matter is Indigenous, the educational approach remains firmly rooted in Western engineering paradigms.
Science Writing (Caroline Daws)
An introduction to the development of scientific literacy and writing skills across various natural science disciplines. Students will engage with scientific content across genres, including natural history, journalism, policy, advocacy, science fiction, and primary literature. Throughout the course, students will build a deep understanding of scientific language and learn to effectively communicate complex scientific concepts to diverse audiences, including the public, policymakers, and fellow scientists. As emerging science writers, students will complete projects that bridge disciplines and cultures, refining their skills in interpreting and conveying scientific information across various contexts.
Models in Science (Jordan Kennedy and Caroline Daws)
Exploration of the dynamic world of scientific modeling, focusing on the creation and application of models across various natural science disciplines. Students will delve into mathematical frameworks that simplify complex phenomena to provide predictions and demonstrate proof of concept in scenarios that are challenging to test directly. Through hands-on experience and real-world data, students will learn to build, evaluate, and apply models, gaining critical insights into their assumptions, biases, and limitations. This course will equip students with the mathematical literacy, critical thinking, and analytical tools necessary to navigate the complexities of modeling and its broader impacts across scientific disciplines. May be repeated for credit.
Folk Music of North America (Garrett Faulkner)
It is indisputable that the vernacular music tradition of North America – what folklorist Alan Lomax called “the deep river of song” – constitutes a rich, unique ecosystem exerting an outsized influence on modern world music. Outer Coast’s Folk Music course will tackle three principal questions: How are we to understand this vast body of musical traditions against the backdrop of history, sociology, and aesthetics? To what extent are notions of folk music traditions “constructed” by popular discourse and market imperatives, and whom does it include and exclude? Finally, what constitutes a “living tradition” in music today?
Drawing from digitized archives and live demonstrations, we will survey a curated sampling of musical traditions and the major players involved with them. We will also discuss how these lineages have interfaced with and influenced (and often influenced by) commercial music. In addition to brief assessments throughout term and ongoing in-class participation, students will be responsible for a large-scale final project to be submitted at the end of term.